http://www.eicsemi.com/datasheet/KBPC3500_10.pdf
KBPC3500 - KBPC3510 SILICON BRIDGE RECTIFIERS
PRV : 50 - 1000 Volts
Io : 35 Amperes
ベネズエラのニコラス・マドゥロ大統領は、BRICS諸国とその新興金融システムは新興世界の主役となるだろうと
マドゥロ大統領は「金融、経済、商業、政治協力のシステムを構築し始めた5つの発展途上国は、新興世界の主役の一つになるために努力している。新しい金融システムと新しい通貨制度を構成するための重要なイニシアチブとを取っているBRICSはブラジル、ロシア、インド、中国、南アフリカだ。新しい金融システムは世界のすべての国への扉とゲートウェイを開け、ベネズエラで行われていたように国への攻撃や危害、政権交代のための政治的ツールとして国際銀行を使用しない」と語った。
六辻彰二 国際政治学者（むつじ・しょうじ）
1972年生まれ。
1996年横浜市立大学文理学部卒業。
2001年日本大学大学院国際関係研究科博士後期過程単位取得満期退学。
国際政治、アフリカ研究を中心に、学問領域横断的な研究を展開。
横浜市立大学、明治学院大学、拓殖大学などで教鞭をとる。
著書に
『イスラム 敵の論理 味方の理由』（さくら舎）、
『世界の独裁者−現代最凶の20人』（幻冬舎）、
『対立からわかる！最新世界情勢』（成美堂）、
共著に『21世紀の中東・アフリカ世界』（芦書房）。他に論文多数。
政治哲学を扱ったファンタジー小説『佐門准教授と12人の政治哲学者−ソロモンの悪魔が仕組んだ政治哲学ゼミ』（iOS向けアプリ/ Kindle）で新境地を開拓。
所属学会
日本国際政治学会
日本アフリカ学会
日本比較政治学会
日本政治学会
Eagle Transformation Figure 10th–6th century B.C. Olmec
Eagle Transformation Figure 10th–6th century B.C. Olmec
https://www.metmuseum.org/art/collection/search/317697
raptor
This small, carved sculpture in a whitish greenstone known as albite represents a standing figure bearing both human and avian attributes. The composition is dominated by the figure’s head which occupies the upper half, while the rotund torso with incised umbilicus and limbs are minimally indicated below. The large, spherical eyes are separated by a contoured crest that projects upward above a small nose. The figure’s mouth is an avian beak, partially open as if mid-vocalization. A small beard protrudes from the lower jaw, and similar hairlike incisions begin at the hairline and terminate in an overlapping pattern that might suggest a combination of hair and feathers. Humanlike ears contain tiny drilled holes which may have supported adornments. Such figures with protruding chests and arms bent at the elbow, drawn up close to the body, have been interpreted as human figures with non-standard bodies as a result of skeletal dysplasia.
The avian attributes on the head could be interpreted as a complex mask-and-headdress assemblage worn on a human performer, or as the fusion of a human and raptor as part of a spiritual narrative about transformation. Throughout the ancient Americas, leaders commissioned works to harness the predatory power of flying creatures. Avian figures feature prominently in Olmec art at small and large scale, such as the cave paintings found at Oxtotitlan, Guerrero, Mexico, that depict a ruler in full birdlike regalia. This figure may have been the personal deity of an Olmec ruler, perhaps later deposited in a funerary or dedicatory context, as indicated by traces of the pigment cinnabar.
Further reading
Benson, Elizabeth P., and Beatriz de la Fuente, eds. Olmec Art of Ancient Mexico. Washington, D.C.: National Gallery of Art, 1996.
Berrin, Kathleen, and Virginia M. Fields, eds. Olmec: Colossal Masterworks of Ancient Mexico. San Francisco: Fine Arts Museums of San Francisco, 2010.
Cheetham, David, and Jeffrey P. Blomster, eds. The Early Olmec and Mesoamerica: The Material Record. Cambridge: Cambridge University Press, 2017.
Clark, John E., and Michael Blake El origen de la civilización en Mesoamérica: Los Olmecas y Mokaya del Soconusco de Chiapas, Mexico. In El Preclásico o Formativo: Avances y perspectivas, Martha Carmona Macias, ed. Museo Nacional de Antropología, México City, 1989, pp. 385–403.
Clark, John E., and Michael Blake The Power of Prestige: Competitive Generosity and the Emergence of Rank Societies in Lowland Mesoamerica. In Factional Competition and Political Development in the New World, Elizabeth M. Brumfiel and John W. Fox, eds., Cambridge: Cambridge University Press, 1994, pp: 17– 30.
Clark, John E., and Mary Pye, eds. 2000 Olmec Art and Archaeology: Social Complexity in the Formative Period. Washington, D.C.: National Gallery of Art.
Coe, Michael D. The Jaguar’s Children: Pre-Classic Central Mexico. New York: Museum of Primitive Art, 1965.
Coe, Michael D. The Olmec Style and Its Distributions. In Handbook of Middle American Indians, vol. 3 (Robert Wauchope, gen. ed.). Austin: University of Texas Press, 1965, pp. 739–775
Coe, Michael D. (ed.) The Olmec World: Ritual and Rulership. Princeton: The Art Museum, Princeton University, 1996.
Coe, Michael D., and Richard A. Diehl 1980 In the Land of the Olmec: The Archaeology of San Lorenzo Tenochtitlán, 2 vols. Austin: University of Texas Press.
Covarrubias, Miguel Origen y desarrollo del estilo artístico “Olmeca.” In Mayas y Olmecas: Segunda reunión de Mesa Redonda sobre problemas antropológicos de México y Centro América. Mexico City: Talleres, 1942, pp. 46-49.
Cyphers Guillén, Ann From Stone to Symbols: Olmec Art in Social Context at San Lorenzo Tenochtitlán. In Social Patterns in Pre-Classic Mesoamerica (David C. Grove and Rosemary A. Joyce, eds.), Washington, D.C.: Dumbarton Oaks, 1999, pp. 155–181.
Drucker, Philip La Venta, Tabasco: A Study of Olmec Ceramics and Art. Smithsonian Institution, Bureau of American Ethnology, Bulletin 153. Washington, D.C.: Government Printing Office, 1952.
Drucker, Philip, Robert F. Heizer, And Robert J. Squier 1959 Excavations at La Venta, Tabasco, 1955. Smithsonian Institution, Bureau of American Ethnology, Bulletin 170. Washington, D.C.: Government Printing Office, 1959.
Easby, Elizabeth Kennedy, and John F. Scott Before Cortés: Sculpture of Middle America. New York: Metropolitan Museum of Art, 1970.
Feuchtwanger, Franz Ceramica olmeca. Mexico City: Editorial Patria, 1989.
Grove, David C. Olmec: What’s in a Name? In Regional Perspectives on the Olmec (Robert J. Sharer and David C. Grove, eds.): Cambridge: Cambridge University Press, 1989, pp. 8-14.
Joralemon, Peter David A Study of Olmec Iconography. Studies in Pre-Columbian Art and Archaeology 7. Washington, D.C.: Dumbarton Oaks, 1971.
Magaloni Kerpel, Diana, and Laura Filloy Nadal La Ofrende 4 de La Venta: un tesoro olmeca reunido en el Museo Nacional de Antropología. Mexico City: Instituto Nacional de Antropología e Historia, 2013.
Michelet, Dominique, Cora Falero Ruiz, and Steve Bourget Les Olmèques et les cultures du golfe du Mexique. Paris: Skira, 2020.
Pool, Christopher A. Olmec Archaeology and Early Mesoamerica. New York: Cambridge University Press, 2007.
Reilly, Frank Kent, III The Shaman in Transformation Pose: A Study of the Theme of Rulership in Olmec Art. Record of the Art Museum, Princeton University vol. 48 no. 2, 1989, pp. 4–21.
Taube, Karl A. Olmec Art at Dumbarton Oaks. Washington, D.C.: Dumbarton Oaks, 2004.
